What happened with Sacco and Vanzetti?

Description by Katie Hargrave, graduate student in cultural production

The case against Nicola Sacco and Bartolomeo Vanzetti is among the most widely known and debated criminal trials in United States history. On April 15, 1920, two paymasters from the Slater-Morrill Shoe Company were shot and killed in an armed robbery on the streets of South Braintree, Massachusetts. Though robberies of this kind were by no means exceptional during the post–World War I period, this particular case garnered worldwide attention as an example of egregious injustice. Sacco and Vanzetti, two Italian anarchists, were tried, convicted and ultimately executed for the crime, despite what many considered to be flimsy evidence against them. The case created an international outcry in the defendants’ behalf and was seen by many as part of a larger movement in this country to crack down on immigrants and radicals during the postwar 1920s.

Sacco and Vanzetti’s trial and execution (which took place on August 23, 1927) have inspired a great number of plays, artworks, poems and books over the years. The Brandeis University Special Collections holds four separate collections on the subject: the Gardner Jackson Collection, the Mrs. Walter Frank Collection, the Tom O’Connor Collection and the Francis Russell Collection.

Perhaps among the most interesting objects in these collections are the cast-plaster death masks of Sacco and Vanzetti from the Mrs. Walter Frank Collection. These are the original death masks made following the men’s executions. According to letters between Gardner Jackson, the director of the Sacco-Vanzetti Memorial Committee, and Margaret S. Huntley, a secretary for the New York Sacco-Vanzetti National League, the masks were placed on display at meetings held by activist groups that had fought for the defendants’ release.

Among the other materials in the Sacco and Vanzetti collections is a rare videotape of Sacco and Vanzetti’s funeral procession and surrounding demonstrations on the Boston Common. Gardner Jackson wrote to Margaret Huntley, “All motion pictures of the case were ordered destroyed… by the Department of Justice. Quantities of news films of the events had been taken. They were all destroyed—a fierce piece of censorship. The film in question escaped destruction.”

Likewise, the Gardner Jackson Memorial Room, located in Brandeis University’s Goldfarb Library and dedicated on April 19, 1970, houses an aluminum cast of a proposed but never erected monument designed by Gutzon de la Mothe Borglum, famed for the sculptures of Mount Rushmore. Gardner Jackson, a journalist by profession, was a member of the committee to place the bas-relief memorial on the Boston Common. A quote by Governor Robert Bradford in the New York Times (1947) helps to explain the plan’s rejection:

“I can see no useful purpose in stirring up the bitter passions and prejudices of 20 years ago, particularly at a time when the whole world is striving for unity, not discord.”

The Sacco and Vanzetti collections at Brandeis University shed light on the case and the public’s strong reactions to it. Though Sacco and Vanzetti were exonerated in 1977 by Governor Michael Dukakis, the subject of their guilt or innocence remains contested to this day.

June 23, 2008

More Information

Finding aids to Brandeis’ various Sacco and Vanzetti collections:

• Gardner Jackson Collection, 1896-1965

• Mrs. Walter Frank Collection, 1927-1963

• Tom O’Connor Collection, 1920-1965

• Francis Russell Collection, 1921-1965

• Sacco and Vanzetti Miscellaneous

Nicola Sacco and Bartolomeo Vanzetti weren’t famous during most of their lives. They were, respectively, a shoemaker and a fish peddler. Their deaths, however, earned a front-page headline in the New York Times and TIME noted that fear of the reaction to the news led officials to close Boston Common to public speakers for the first time ever. And, 90 years after those Aug. 23, 1927, executions, the story of Sacco and Vanzetti is still taught in American classrooms.

On May 5, 1920, the two were arrested in connection with the murders of two other men, a shoe-factory paymaster and the man who had been escorting him while he transported about $15,700 in pay down the main street in South Braintree, Mass. A little more than a year later, a jury convicted Sacco and Vanzetti of robbery and murder — even though the evidence against the two was mostly circumstantial, according to Moshik Temkin, a professor of History and Public Policy at the Harvard Kennedy School and author of The Sacco-Vanzetti Affair: America on Trial.

There was plenty of reason to doubt that Sacco and Vanzetti had actually committed the crimes. The money was never recovered and neither suspect had a criminal record. Plus, another known criminal confessed to the crime. But, despite seven appeals, their request for new trial was rejected in October of 1926, and the two were sentenced to death in April of 1927. Temkin notes that it’s impossible to say for sure a century later, but that the idea that they were behind the murders just doesn’t line up.

What is for sure, however, is that they were Italian immigrants and anarchists, two groups that were subject to extreme suspicion at the time.

“Part of their misfortune is that they were the wrong people in the wrong place at the wrong time,” he says.

They were among the many immigrants living in poverty who, fed up by what they saw as the exploitation of workers in the capitalist system in the U.S., were drawn to meetings of anarchists who thought that the solution was to overthrow the government and start from scratch. In the 1920s, the U.S. government had been on the hunt for these people already; the judge to whom they appealed openly hated anarchists. Meanwhile, while Sacco and Vanzetti were in prison, quotas restricting Italian immigration quotas became law in 1924, partly because many Southern and Eastern Europeans weren’t considered white enough.

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But, if the justice system had started out by making an example of Sacco and Vanzetti, it ended up making martyrs of them.

Protests took place worldwide—from Latin America to Morocco to China, and especially in western Europe, which had just ceded its dominance on the world stage to the U.S. after World War I. “There’s a resentment that comes with that,” Temkin says, “making Europeans a lot more sensitive to what happens inside the U.S.”

As Pulitzer Prize-winning poet Edna St. Vincent Millay framed the injustice, “[the] men were castaways upon our shore, and we, an ignorant savage tribe, have put them to death because their speech and their manners were different from our own, and because to the untutored mind that which is strange is in its infancy ludicrous, but in its prime evil, dangerous, and to be done away with.’’

During their six years on death row, their letters from prison further endeared the two to the general public and persuaded many people of their innocence. They came to be seen as philosophers, not criminals, as Temkin puts it. One example from Sacco, a father of two who enjoyed gardening in his spare time, shows his attempt to remain optimistic, and he notes that “between these turbulent clouds, a luminous path run always toward the truth.” Another letter by Vanzetti, however, shows how hopeless he felt:

O the blessing green of the wilderness and of the open land — O the blue vastness of the oceans — the fragrances of the flowers and the sweetness of the fruits…Yes, Yes, all this is real actuality but not to us, not to us chained.

The execution radicalized many young intellectuals, and a noteworthy number of those who lived in Massachusetts decided to move to New York in protest, which Temkin argues shifted the cultural balance of the two areas. On the legal front, the procedure of appeals changed so that defendants don’t have to keep going before the same judge. The two were subsequently immortalized in pop culture, from Woody Guthrie’s song “Vanzetti’s Letter” to an episode of The Sopranos.

In the end, in many ways, despite their deaths, what happened was just what Vanzetti himself had predicted. In May 1927, after the judge rejected the duo’s last appeal, he was quoted in the New York World in what would become his most famous words:

If it had not been for these thing[s], I might have live[d] out my life, talking at street corners to scorning men. I might have die[d], unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life can we hope to do such work for tolerance, for justice, for man’s understanding of man as we now do by dying. Our words, our lives, our pains — nothing! The taking of our lives — lives of a good shoemaker and a poor fish peddler — all! That last moment belongs to us — that agony is our triumph.

Write to Olivia B. Waxman at .

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