10 bộ phim đen trắng hàng đầu năm 2022

Just like wine, olives, and dark chocolate, black and white movies are an acquired taste. Like with certain books, like Sun Tzu's The Art of War, one must reach a certain age to understand the notion and enjoy the content. It may be read at a young age, yet one wouldn't be able to take away from it as much as they would if they read it after their 20s. Or quit on it just 10 pages into the book. The same goes for old movies shot in black and white.

Just like one may hate the tannins that make the wine bitter, some may think that the black and white picture in classic movies takes away an appeal from the film. Nevertheless, it's the tannins that create the exquisite flavor of the wine that so many enjoy. We can claim that vibrant pictures just didn't exist in the day when old classic movies were made, and there was no other choice than to make movies in grayscale. However, there are quite a few reasons why more modern in-color remakes of some of the best black and white movies stand nowhere near the originals.

In essence, the use of black and white gives the image an "evergreen" characteristic that keeps it from looking out of date. Other than that, like in photography, black and white lets the viewer concentrate on different aspects of the shot by removing any color distractions and really focusing your attention on what's in the frame. Therefore, the black and white scale actually favors the best classic movies.

While the camera work and color palette play a significant role in the film's appeal, we often regard works of cinema as classics if they have transcended time and trends with indefinable quality. And many of the best old movies filmed in black and white did. Below, we've gathered some of the best B&W or film noir movies that will take you back to the times when some of the most significant works of cinema were made. Do you have a favorite black and white movie? Let us know!

1962 | 2 hours 9 minutes | Directed by Robert Mulligan

Starring Gregory Peck, John Megna, Frank Overton

Many have heard of this masterpiece by Robert Mulligan, yet very little know the actual story. Adaptation of Harper Lee's novel of the same name goes about the 6-year-old Scout Finch (Mary Badham) and her elder brother Jem (Phillip Alford). They reside in the tranquil Alabama town of Maycomb, where they spend a lot of time hanging out with their friend Dill (John Megna) and spying on Boo Radley (Robert Duvall), a secretive and enigmatic neighbor. The children are exposed to the perils of racism and stereotyping when their respected lawyer and widower father, Atticus (Gregory Peck), defends a black man named Tom Robinson (Brock Peters) against false rape accusations. It is both an intense drama and a coming-of-age story about children. The love and respect everyone involved in adapting Harper Lee's book to the screen had for the original source material makes To Kill A Mockingbird such a remarkable work. It is visible in every frame of the video. Each and every performance in this movie is faultless. It is a terrific movie that has stood the test of time and will continue to be a significant part of film history for as long as the genre is around.

amazon.com Report

1960 | 1 hour 49 minutes | Directed by Alfred Hitchcock

Starring Anthony Perkins, Janet Leigh, Vera Miles

Phoenix secretary Marion Crane (Janet Leigh), who has stolen $40,000 from her company to flee with her boyfriend, is on the run and stops at the run-down Bates Motel for the night. There she meets the amiable but uptight owner Norman Bates (Anthony Perkins), a young man with a fascination for taxidermy and a tense relationship with his mother. Despite being frequently mimicked, mocked, cited, and exhaustively studied for over six decades, Psycho still hasn't aged. This is the rare example of a much-ballyhooed film that truly deserves all the hype. It would have been nice to have experienced the movie without knowing the plot twists. Unfortunately, the big surprises are not possible for most viewers since so many of the scenes are part of our popular culture. Still, there were, however, many unexpected surprises. Visit the Bates Motel; Norman might have a room available. You owe it to yourself.

amazon.com Report

1993 | 3 hours 15 minutes | Directed by Steven Spielberg

Starring Liam Neeson, Ralph Fiennes, Ben Kingsley

This film tells the story of Nazi officer Oskar Schindler, who secretly saved hundreds of Jewish people from concentration camps. Schindler's List's portrayal of the historical horrors is incredibly potent and effective. Perhaps no one can watch Schindler's List without crying. It's a rare achievement for a film that's 3 hours long to feel too short. This is arguably Steven Spielberg's most notable film to date. At least for him. Spielberg employs all of his filmmaking prowess to produce this classic film based on a true story. The starkness of the black and white images helps put a little distance from the terrible events. There simply isn't another movie like this one. Other films have attempted to depict the genuine horrors of the Holocaust. Still, none of them have been as effective as Schindler's List. It is an outstanding achievement that stands out as a mammoth work of cinema.

amazon.com Report

1941 | 1 hour 59 minutes | Directed by Orson Welles

Starring Orson Welles, Joseph Cotten, Dorothy Comingore

The plot of Citizen Kane is surprisingly straightforward. A reporter is tasked with understanding newspaper tycoon Charles Foster Kane's (Orson Welles) final words. The course of his inquiry eventually paints a fascinating picture of a complex man who climbed from obscurity to astounding heights. While Kane's friend Jedediah (Joseph Cotten) and his mistress Susan (Dorothy Comingore) provide some insight into his life, the reporter worries that he may never fully understand the significance of Kane's last word. Apart from his own, we hear just about every perspective about Charles Foster Kane. The narrative takes place after his passing, allowing us to witness the significant events that led up to it. It isn't until the very end that we truly fathom who he was and what made him tick. Although the story develops by flitting between nonlinear flashbacks, it is surprisingly simple to follow. Since there is no pause in the flow of events, it gives the impression that we are being duped into believing there is something far bigger at play. If you haven't seen this masterpiece, don't allow the fact that it's old and in black and white to dissuade you. In every way, a truly classic film.

amazon.com Report

1946 | 2 hours 50 minutes | Directed by William Wyler

Starring Myrna Loy, Dana Andrews, Fredric March

The plot concerns three World War II veterans, two of whom are traumatized or disabled. When they finally reunite with their families in the American Midwest, they soon learn that their families have been irrevocably changed. Coming home, returning veterans of all backgrounds met a brick wall: wives who no longer loved them, jobs that had dried up, and a culture alien to them. The greatest thing about this movie is that, despite being set in the post-World War II era, the issues it addresses are just as relevant today as they were back then. It is an entirely different kind of accomplishment when the film makes logic and actually works as a story that is emotional and heartwarming without being overly sentimental. Fantastic, rich, undiluted, and full-blooded experience.

amazon.com Report

1948 | 2 hours 6 minutes | Directed by John Huston

Starring Humphrey Bogart, Walter Huston, Tim Holt

The film's action takes place in the 1920s when two struggling Americans looking for work in Mexico persuade an elderly prospector to assist them in mining for gold in the Sierra Madre Mountains. The movie's central narrative is what happens to them once they discover the gold they are looking for. Based on a book by the enigmatic B. Traven, the film explored the destructive effects of growing greed, mistrust, and hatred on three men who team up to look for gold in Mexico. For the extreme realism it depicts, The Treasure of the Sierra Madre is a movie decades ahead of its time. The film has a modern feel and could easily compete favorably with anything released today. Go ahead and watch this as a favor for yourself. It contains a powerful moral and truth as a tale of rags to almost riches.

amazon.com Report

1937 | 1 hour 53 minutes | Directed by Jean Renoir

Starring Jean Gabin, Dita Parlo, Pierre Fresnay

During WWI, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are eventually sent to a seemingly inescapable fortress. La Grande Illusion is one of those movies that confirms a movie fan's faith in the ability of filmmakers to use cinema as an art form to unite people. The time of the film's production and distribution is crucial. This was published when the Nazi party in Germany was on the rise, and another world war was looming. It could be that the director made this movie to urge people to turn away from fanaticism. Yet, one can't help but admire Renoir's intentions, even though this didn't prevent another war from happening. La Grande Illusion is not your typical war movie. It had genuine significance during WWII and should be seen for this reason alone. This is a good movie that lives up to its reputation and should appeal to fans of classic films.

amazon.com Report

1950 | 1 hour 50 minutes | Directed by Billy Wilder

Starring William Holden, Gloria Swanson, Erich von Stroheim

The plot centers on rogue screenwriter Joe Gillis (William Holden), who accidentally meets fading movie star Norma Desmond (Gloria Swanson). One may consider Sunset Blvd. a thesis on what fame does to different people. Fame created a fantasy world for Norma Desmond, trapping her for all time. She resides with her butler Max (Erich von Stroheim) in a dilapidated old mansion. She passes her time daydreaming about her triumphant return. Fan emails and Joe Gillis's desire for her comeback are the only things keeping her legend alive. This movie presents a rather pessimistic image of Hollywood by demonstrating what Hollywood does to individuals like Norma. It elevates them to stardom, assures them of their greatness, and then snubs them when they are no longer required. Expertly directed by Billy Wilder, Sunset Blvd. has a snappy script and is appropriately shot in moody black and white. This film genuinely offers everything. It's not just a narrative about Hollywood or an aging actress. It's also about the real issue of giving up on dreams. Hollywood's circle of life won't be much more advanced in 2050 than it was in 1950. Thus there aren't many "dated" elements in this movie. Watch this movie if you haven't already because it has something to offer almost everyone.

Báo cáo Amazon.com Report

1957 | 1 giờ 28 phút | Đạo diễn Stanley Kubrick

Diễn viên chính Kirk Douglas, Ralph Meeker, Adolphe Menjou

Cuộc chiến rãnh giữa Pháp và Đức trong Thế chiến I, vốn vô cùng phá hoại và vô nghĩa, là nền tảng cho những con đường vinh quang. Đại tá người Pháp Dax, do Kirk Douglas thủ vai, được giao nhiệm vụ tấn công một vị trí Đức rất cố thủ. Sự biện minh duy nhất cho cáo buộc này là Tổng tư lệnh nghĩ rằng chiến thắng trong trận chiến sẽ kiếm được cho anh ta một chương trình khuyến mãi. Chỉ huy trở nên tức giận khi cuộc tấn công không thể tiến lên mặc dù vụ hỏa hoạn của kẻ thù dữ dội và ra lệnh lựa chọn ba người đàn ông một cách ngẫu nhiên để đối mặt với xét xử vì sự hèn nhát. Tội ác này mang một bản án tử hình. Những người đàn ông này được bảo vệ bởi Đại tá Dax tại tòa án của họ. Kubrick không bao giờ cho ấn tượng rằng anh đặc biệt thích những cảnh tình cảm công khai trong sự nghiệp của mình. Một ngoại lệ là con đường của vinh quang. Những khoảnh khắc cuối cùng trong quán rượu của người lính phân biệt nó là một kiệt tác và đóng vai trò là anh đào trên những cảnh sau đó, rất cảm xúc và cảm động. Xuống tay, một trong những bộ phim chống chiến tranh hay nhất từng được tạo ra. Nó ngang bằng với tất cả yên tĩnh trên Mặt trận phía Tây (1930). Cả hai sẽ được coi là kinh điển trong 200, 300 hoặc một nghìn năm.

Báo cáo Amazon.com Report

1954 | 1 giờ 48 phút | Đạo diễn Federico Fellini

Diễn viên chính Anthony Quinn, Giulietta Masina, Richard BaseHart

Bộ phim tập trung vào một Gelsomina trẻ, nghèo và ngây thơ (Giulietta Masina), được mua từ mẹ bởi Circus Strongman Zampan (Anthony Quinn). Zampan muốn cô là vợ và đối tác của anh. Gelsomina trung thành với sự lạnh lùng và tàn bạo của mình khi họ tham quan vùng nông thôn Ý với tư cách là người biểu diễn. Cô ấy là đối trọng lý tưởng cho Zampano tự cho mình là trung tâm và gớm ghiếc vì cô ấy khao khát được yêu thương và được yêu thương. Và mặc dù sự khắc nghiệt của Zampano gây hại cho cuộc sống của Gelsomina, nhưng ảnh hưởng của cô cuối cùng sẽ ảnh hưởng sâu sắc đến anh ta. Bộ phim mô tả một người Ý bị đánh bại trong Thế chiến II. Ý đã chiến đấu để phục hồi sau hoàn cảnh khủng khiếp. Đạo diễn của bộ phim và những người bạn đồng hành của anh ấy cho thấy một quốc gia nghèo khó cố gắng điều chỉnh tình huống mới. Bất chấp những khó khăn và đau khổ được miêu tả trong phim, nó vẫn mang lại hy vọng cho tương lai. Khác với việc thể hiện một nước Ý bị chiến tranh tàn phá, đó cũng là một câu chuyện về tình yêu và những gì nó có thể làm cho mọi người. Hơn cả tình yêu, đó là về một anh chàng phát triển cái nhìn sâu sắc và hiểu biết từ tình yêu. Bộ phim trần gian, kích thích tư duy La Strada chắc chắn sẽ ở trong tâm trí bạn. Hình ảnh và cảm giác mà nó gợi lên có thể mờ dần theo thời gian, nhưng tinh thần của nó sẽ luôn ở bên bạn. Một khi Fellini chạm vào bạn, nó vẫn mãi mãi.

Báo cáo Amazon.com Report